2011
SETC Theatre Symposium
will be held at
Furman University, Greenville, SC, April 15-17
SETC Theatre Symposium Volume 20
Gods and Groundlings: Historical Theatrical Audiences
Before cell phones or internet marketing or even electrical lighting, how did theatre audiences function in various periods and cultures? How did they behave? What did they expect? What was expected of them? Who came and who stayed home-and why? The 2011 Southeastern Theatre Conference (SETC) Theatre Symposium will focus on audience reception, expectations and obligations, behaviors, "contracts" with performers, etc. in early- and pre-20th-Century cultures.
The Keynote Speaker will be Dr. Susan Bennett, of the University of Calgary, author of Theatre Audiences: A Theory of Production and Reception. Dr. Bennett will respond to the presentations as well as discuss her current work.
All are invited to attend the conference at Furman University, Greenville, SC, April 15-17. The cost for registration until March 15 is $110. This includes meals on Friday and Saturday nights. Later registration (including onsite registration) is $135. When you register, please include your name (as you’d like it to appear on your nametag), any institutional affiliation, whether or not you require vegetarian meals (must be requested in advance), and complete contact information (mailing and email addresses, phone numbers). Mail your check (made out to SETC) and this information to:
E. Bert Wallace
Editor, Theatre Symposium
Campbell University
PO Box 70
Buies Creek, NC 25706
Questions?
E. Bert Wallace
Editor, Theatre Symposium
College of Arts & Sciences, Theatre Arts
Campbell University
Rm 108 Fine Arts Building
Buies Creek, NC 25706
wallacebert@campbell.edu
or (910) 814-4328

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A History of Theatre Symposium Journals: 
| SETC
Theatre Symposium Past Issues |
| Volume |
Title |
| 1 |
Commedia
dell'Arte Performance |
| 2 |
Theatre
in the Antebellum South |
| 3 |
Voice
of the Dramaturg |
| 4 |
The
Reemergence of the Theatre Building in the Renaissance |
| 5 |
Drama
as Rhetoric/Rhetoric as Drama |
| 6 |
Crosscurrents
in the Drama: East and West |
| 7 |
Theatre
and Violence |
| 8 |
Theatre
at the Margins: The Political, the Popular, the Personal,
the Profane |
| 9 |
Theatre
and Politics in the Twentieth Century |
| 10 |
Representations
of Gender on the Nineteenth-Century American Stage |
| 11 |
Constructions
of Race in Southern Theatre: From Federalism to the
Federal Theatre Project |
| 12 |
Elizabethan
Performances in North American Spaces |
| 13 |
Theatre
in Transit: Tours of the South |
| 14 |
Theatre, War and Propaganda |
| 15 |
Theatre and the Moral
Order |
| 16 |
Comedy Tonight! |
| 17 |
Outdoor Drama |
| 18 |
The Prop's the Thing: Stage Properties Reconsidered |
| 19 |
Theatre and Film |